La cantant Tori Amos mai ha amagat el seu feminisme, i en aquesta cançó denuncia com de difícil és per a una dona arribar segons a on.
Fabra & Coats Contemporary Arts Centre offers two exhibition that question the very essence of the exhibition.
Woody Allen’s autobiography grabs his readers from page one, thanks to his poignant sense of humor and wild confessional frankness.
There was a time when great artists were used as television selling points.
The “Fear and Pleasure. Vampire Movies” programme, at CaixaForum Barcelona, shows how this Gothic, aristocratic figure has conquered our screens.
The ”La Caixa” Foundation takes us through the life and work of the genius composer in nine videos.
The ”la Caixa” Foundation offers an online dramatized concert through the biography of the Ludwig van Beethoven on the occasion of the 250th anniversary of his birth.
In just the second year since it was established Mirador de les Arts has received the GAC Award for Best Media.
Once again this year I ask the same photographer friend a favour: to accompany me to the World Press Photo (WPPh) exhibition. But this time I notice him tad less apathetic.
An exhibition about the evolution of the concept of laziness closes the CaixaForum season dedicated to young curators.
The exhibition “Emergency! Design against COVID-19” shows the collective effort of the design world in fighting the current viral pandemic.
The contemporary art of the Suñol Foundation meets the permanent collections of the National Art Museum of Catalonia (MNAC) in a risky experiment entitled “Intrusive Dialogues”.
Six years after it first opened its doors, the Design Museum of Barcelona has incorporated Modernisme in it journey of exhibitions.
The exhibition “Vampires. The evolving myth” (CaixaForum Barcelona) pays homage to the nineteenth century version of the myth to seduce you, make your blood boil and leave you coming out with a crick in your neck.
CaixaForum Barcelona offers an exhibition on Greco-Roman art and mythology with works from the Prado Museum.
The Fabra & Coats Arts Centre kicks off the season with two exhibitions with a political slant.
Mourinho vs Guardiola? A child’s game, compared to the dialectic between Miró and Dalí, because of some ties.
The other day, while filling the silence of a long car trip, a friend asked me: “What has more value, a Miró or a Dalí?”
The Delrevés ‘vertical dance’ company provides the award-winning performance in the Summer Nights of the CaixaForum Barcelona with “Finale”.
The “Summer Nights” at CaixaForum have changed and are now taking place exclusively on line, offering a range of performing arts which reclaim the transformative capacity of art.
The exhibition “Objects of Desire. Surrealism and Design, 1924-2020”, at CaixaForum Barcelona, tells us how the design of objects has borrowed influences, ideas, delusions and obsessions from surrealism.
The ”la Caixa” Foundation has launched for the first time a digital participatory activity to the sound of the ‘Viva la Vida’ theme, by Coldplay, and has reached a record number of participants, with more than 640 people.
A car runs at high speed through the Alps. The travelers want to get home as soon as possible to enjoy one of the masterpieces Salvador Dalí’s youth phase. However, the painting will not reach its final destination in its best conditions.
As part of the events for the centenary year of his death, the Museum of Art of Girona presents Modest Urgell (Barcelona, 1839-1919), with all his complexity and contradictions.
CaixaForum restores the figure of the animation pioneer Lotte Reiniger with a session of animated stories and live music by pianist Josep Maria Baldomà.
The exhibition “Camera and City. Urban Life in Photography and Film” at the CaixaForum Barcelona brings together 244 pieces by 80 photographers and filmmakers, made between 1910 and 2010. Together they form a kind of visual essay or reflection through still and moving images.
Pasear por la última exposición de Eudald de Juana en el Museu de l’Empordà (Figueres) es como transitar un sueño; da la sensación de que sus esculturas nos observan y que, de repente, sean capaces de desvanecerse.
The Museum of La Garrotxa, in Olot, has organized an exposition in which the neighbors choose the pieces to exhibit.
The Museum of Lleida has undertaken a makeover of its Renaissance and Baroque halls. This has offered the chance to do justice to and get a better understanding of the Catalan Baroque which has so far been the subject of little public knowledge.
The Open Factory will bring together all the activities that Fabra & Coats – Art Factory and Contemporary Art Centre in Barcelona has organised for the Sant Andreu neighbourhood festival, which will enjoy their high point at the Open Door event on 30 November.
Reus Museum is showing a selection of the best drawings in its collections, with works by Fortuny, Gaudí and Casas among them, but at the same time the exhibition invites us to reflect on drawing as a phenomenon in itself.
The Barcelona Design Museum shows a large retrospective centred on the designer, theorist and activist Victor Papanek (1923-1998).
In two to three years’ time the Jaume Morera Art Museum in Lleida will open in its final location: the old palace of justice. Its director, Jesús Navarro, tell us what the new museum will be like.
The Museu d’Art de Sabadell devotes a revealing exhibition to the figure of Llorenç Balsach Grau (1922-1993), industrialist, painter, patron and collector.
A exhibition at the Apel·les Fenosa Foundation in El Vendrell recuperates the memory of the Mirador gallery in Paris – a space for Catalan culture in exile in post-war Paris.
The exhibition Freefall at the CaixaForum Barcelona explores the situation of uncertainty, concern and sometimes even panic which many people are suffering during these times of structural crisis.
Joaquim Capdevila has reinvented jewels as a means of artistic expression. The Design Museum of Barcelona is showing a retrospective.
The art of Bill Viola (Nova York, 1951) has got a hypnotic quality so intense that it fascinates and annoys in equal measure: the same is true for the mystical and spiritual substrata of his work.
CaixaForum Barcelona tells us the story of modern Europe through eight operas. This is a high fidelity exhibition that has to be visited using the audio guide.
In Solsona the paintings of Sant Quirze de Pedret are the star pieces of the museum situated inside the impressive Neoclassical building of the Episcopal Palace, next to the cathedral.
The Modern Art Museum of Tarragona (MAMT) has the best collection of sculptures by Julio Antonio. The centenary of his death is a great opportunity to discover the work of this artist who is difficult to classify.
The Art Museum of Cerdanyola (MAC) is celebrating its tenth anniversary and the declaration of the “Dames de Cerdanyola” stained glass panels as Items of national Cultural Interest. This is a great occasion to discover its treasures.
The Marès Museum in Barcelona has organised a literary walk through the “sentimental museum” – a route through its collections via the Catalan literature of the late nineteenth and early twentieth centuries.
Manresa County Museum will be completely renovated in 2022 to make it a reference for works of Catalan Baroque art. Meanwhile there are two small exhibitions that are worth a visit.
The Episcopal Museum of Vic (MEV) holds an extraordinary collection of Romanic and Gothic art. But it has something even better: its sensitivity to teaching about the collection. When a museum does not know how to talk about its works, it should probably close.
The Víctor Balaguer Library and Museum shows its extraordinary collection of works from the Prado Museum in Madrid on the occasion of the bicentenary of the Prado.
The city of Valls has 24,000 inhabitants. Its museum, 2,000 works, which make up an interesting selection of the last 150 years of Catalan art.
December Quintet puts jazz on “The pale face” (1922) by Buster Keaton, at CaixaForum Barcelona. This is the fun sessions “Listen to the silent movies”, aimed at the family audience.
The Abelló Museum in Mollet del Vallès is one of the artistic treasures that you have to rediscover from time to time.
Did you know that Frederic Marès is the sculptor with the greatest presence in the public space in Barcelona? Plaça Catalunya, Diagonal and even inside Santa Maria del Mar and the Palace of the Catalan Government, for example.
The exhibition “Realism(s) in Catalonia 1917-1936” explores how some artists opted for a renovation of their artistic language without renouncing figuration.
”la Caixa” exhibits its collection of contemporary paintings.
Prince once said that with all the unpublished material in his mythical musical and visual ‘vault’ he could make an album a year for a century.
Dominique Lambert is twenty years old and lives in Paris. His mother, Isabelle, is a well-known psychiatrist and his father, Christophe an antique dealer or cronopio.
This exhibition, which has been organised using the collection of foundation, looks at the aesthetic and creative affinities of Gaudí and Miró as seen through the Joaquim Gomis.
The Espais Volart of the Vila Casas Foundation is showing “Please don’t smile”, by the photographer Frank Horvat who, having worked relentlessly during his professional life, now offers a collection of photographs taken in the field of fashion in the 1950s, 60s and 70s.
The anthological exhibition by Valencian Josep Renau (1907-1982) – poster-maker for the revolution – arrives in Barcelona. Introducing the international avant-gardes to Spain in the 1920s and 30s and a reference for the Catalan left in the 1970s, his criticism of American society is alarmingly modern.
On 27 June Soler y Llach will put up for auction some incredible posters from the Josep Torné collection. These are masterpieces in the world of postermaking by artists as big as Josep Renau, Ricard Opisso, Capiello, Cassandre, A. de Riquer, Ramon Casas and Segrelles.
Gino Rubert’s new exhibition at Galería Senda succeeds in transmitting an exceptional sensation of freedom.
You can never really read the work of Salvador Dalí without knowing the literary legacy of Carles Fages de Climent. This is shown by Dalí expert Josep Playà in his book, “Fages Dalí, geniuses and friends”.
When we talk of culture some people think that we are treading the terrain of the utopian or, even worse, the luxurious and dispensable. Opposing ideologies resign culture, in an opposing but similar way, to private initiative.
“Vallès: manufacturing pasts, manufacturing futures” is a project in which Claudio Zulian uses the memory of the working class of the county of Vallès – an area historically and politically affiliated to the so-called “red belt” of Barcelona.
This show in the Barcelona museum reinterprets the different facets of the artist from the point of view of ten contemporary creators. The political Picasso, the passionate Picasso and the intellectual Picasso, all covered in the story which unfolds under the curatorship of Rosa Martinez.
When you visit the Lluís Hortalà exhibition at Tecla Sala in L’Hospitalet you have to be ready for a double set of rules: those of the eye, subjected to the logical trickery of trompe-l’oeil, and those of the concept, articulated in the solid story about the exhibition by Oriol Fontdevila. But one step at a time.
Learoyd’s photographs are made in a very original way. It is not that he has a camera in his studio but his camera is a room in his studio.
The MNAC, being the national museum that it is, had the job of rescuing the wok of Antoni Fabrés – a versatile and effective artist who moved on from the academic and Orientalist approach of his early works.
All political leaders have had an artistic hobby: President Clinton played the sax, Nero the lyre, Alphonse XIII was an adult film producer and Franco liked painting.
Entitled “Cerrar abriendo” (Close by opening), the sixth scene of “La Capella 25 Years After”, an exhibition in instalments which has told the story of this centre dedicated to emerging art since the month of January, through the artists that have exhibited there.
Everyone knows them as some of the most central characters in history, capable of pulling the strings during the Second World War…but when they had a moment all three would settle down to do a spot of relaxing painting as if they had never hurt a fly.
If right now you were looking at a factitious “Encyclopaedia of Well-known Forgers of Art”, the contents page would include creators as famous as Michelangelo and Picasso.
Did you know that the refillable plastic Clipper lighter, which is sold all over the world, was designed by Enric Sardà in the early 1970s? Or that the cuddly Tous teddy bear was created by Rosa Maria Oriol in 1985 with no intention of it becoming a jewellery icon?
Clichés about the affinity between Italy and Spain aside, it is true that cultural and artistic exchanges between the two countries are less intense than one might expect. In Barcelona, an exhibition, an urban installation, workshops and other initiative are an attempt to redress this lack of reciprocal recognition.
The August Sander retrospective at La Virreina is exceptional in its rigorous respect for the original structure of the major project the photographer worked on during the early 1900s: People of the 20th Century.
Anyone who enters the exhibition Cinc anys a les trinxeres (Five years in the trenches) by Jesús Galdón, kind of phylacterical mirror hanging on the wall, is immediately reflected in the doorway of the El Quadern Robat gallery.
One of the dreams of any antiquarian-cronopio is to have a famous client visit their shop and buy everything. The possibilities are minimal but, in this business, like in life, it could happen. In fact, it did happen to a colleague of mine the day that…
On 15 May Jeff Koons’ work “Rabbit” (1986) was sold at Christie’s in New York for 91 million dollars.
Just when the United States once again demonstrate their untamed meddling in the internal affairs of South America and when Pedro Sánchez recognises and legitimates a self-proclaimed president in Venezuela, Macba is opening the necessary and timely exhibition Undefined territories. Perspectives on colonial legacies.
This walk through the magnificent and sadly posthumous exhibition by Jordi Fulla at Can Framis is a silent one. It couldn’t be any other way.
Global cities, futuristic dystopias and universal figures of the literary and linguistic imaginary all come together in La Capella in a group show with ten heterogeneous proposals around the idea of layers or of accumulated time.
He’s an international photographer with an impeccable reputation, and I’ve asked him a favour, as a friend: to accompany me to the World Press Photo Exhibition (WPPh). I’m interested in his personal vision of the tragedy. Because the WPPh is one big tragedy: in the photos almost no one is smiling.
There is life beyond the pavilion. The Catalan art scene in Venice nudge their way into institutional projects for the Biennale and also parallel initiatives.
There is a day for everything but if you want to attract young people you have to celebrate at night. And that is exactly what the “Museums Night” – the cool and fun version of the formal “Museums Day” – does.
Pedro Azara’s project for the Catalonia Pavilion at the Venice Biennale confronts the viewer with their own emotional weakness with a series of visceral reactions of love and hate provoked by the images.
Mauthausen was again news. We talked about the weight of memory with Jesús Galdón, the author of the plaque that, through emptiness, recalls the victims of Nazi barbarism.
Fourteen works on paper are exhibited at N2 gallery by eleven outstanding artists, united by their “aesthetic tendencies broken by war, interior exile, different attempts to preserve their creative freedom and the dawning following the start of democracy”.
What is it about turn of the century photographs that means we always love them? Three exhibitions revisit the collection of Valentí Fargnoli, he son of Italians settled in Girona who left valuable ethnographic work and heritage photography.
The world of art galleries is picking up, but more than that it is experiencing profound change. Not only are new galleries opening, but there are changes in the format, the business model, the planning and also the audiences.
The ambitious exhibition “Quantum” which is showing at the CCCB attempts to explain the theory of quantum physics, including a dialogue between science and art.
Who hasn’t flown to another European city on a budget flight and then stayed in an AirBnB? Who has never done “acritical tourism” or “place consumption” for a couple of days? It is not easy to raise the debate about the excess of tourism without falling into contradictions.
Laia Abril has made the problem of illegal abortion universal and contemporary through her artistic project “On Abortion”, which is currently being shown at the Foto Colectania Foundation in Barcelona.
“Reflextions. The Work of Damià Campeny”, at Ca l’Arenas of Mataró, is a show that emphasises the artist’s working method and his context.
Do you think buying art at an auction is easy? Well, you are wrong. Artur Ramon, who is an expert in the field, gives you ten basic tips to, at least, not make a fool of yourself in an auction.
Max Beckmann’s lost paradise was not a Utopia, but a certain desirable and possible harmony, one that was destroyed by imperialist urges.
Mas Miró in Mont-roig del Camp completes the “Miró triangle” – a kind of emotional cartography of the artist.
La Capella is celebrating its 25th anniversary as a space for the promotion of emerging art. And it is doing so in episodes. Here we have the fourth.
Essays, anthologies, guides, anecdotes, graphic novels…2019 has a host of bibliographic novelties on the topic of art. And the day of Sant Jordi is the perfect excuse to buy one (or more) of them. Here are our recommendations.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three art books they would take with them on a desert island. Their answers are surprising.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three books they would take with them on a desert island. Their answers are surprising.
“Absències”, a small retrospective of work by Ramon Guillen-Balmes is on show at the Busquets Space of the Massana School of Art and Design.
The exhibition “Meet Van Gogh” is marketed as an immersive experience – and it is not.