Només entrar a l’exposició Cinc anys a les trinxeres, una espècie de mirall amb forma de filacteri penjat a la paret, obra de Jesús Galdón, reflecteix a qui acaba d’entrar a la galeria El quadern robat.
One of the dreams of any antiquarian-cronopio is to have a famous client visit their shop and buy everything. The possibilities are minimal but, in this business, like in life, it could happen. In fact, it did happen to a colleague of mine the day that…
On 15 May Jeff Koons’ work “Rabbit” (1986) was sold at Christie’s in New York for 91 million dollars.
Just when the United States once again demonstrate their untamed meddling in the internal affairs of South America and when Pedro Sánchez recognises and legitimates a self-proclaimed president in Venezuela, Macba is opening the necessary and timely exhibition Undefined territories. Perspectives on colonial legacies.
This walk through the magnificent and sadly posthumous exhibition by Jordi Fulla at Can Framis is a silent one. It couldn’t be any other way.
Global cities, futuristic dystopias and universal figures of the literary and linguistic imaginary all come together in La Capella in a group show with ten heterogeneous proposals around the idea of layers or of accumulated time.
He’s an international photographer with an impeccable reputation, and I’ve asked him a favour, as a friend: to accompany me to the World Press Photo Exhibition (WPPh). I’m interested in his personal vision of the tragedy. Because the WPPh is one big tragedy: in the photos almost no one is smiling.
There is life beyond the pavilion. The Catalan art scene in Venice nudge their way into institutional projects for the Biennale and also parallel initiatives.
There is a day for everything but if you want to attract young people you have to celebrate at night. And that is exactly what the “Museums Night” – the cool and fun version of the formal “Museums Day” – does.
Pedro Azara’s project for the Catalonia Pavilion at the Venice Biennale confronts the viewer with their own emotional weakness with a series of visceral reactions of love and hate provoked by the images.
Mauthausen was again news. We talked about the weight of memory with Jesús Galdón, the author of the plaque that, through emptiness, recalls the victims of Nazi barbarism.
Fourteen works on paper are exhibited at N2 gallery by eleven outstanding artists, united by their “aesthetic tendencies broken by war, interior exile, different attempts to preserve their creative freedom and the dawning following the start of democracy”.
What is it about turn of the century photographs that means we always love them? Three exhibitions revisit the collection of Valentí Fargnoli, he son of Italians settled in Girona who left valuable ethnographic work and heritage photography.
The world of art galleries is picking up, but more than that it is experiencing profound change. Not only are new galleries opening, but there are changes in the format, the business model, the planning and also the audiences.
The ambitious exhibition “Quantum” which is showing at the CCCB attempts to explain the theory of quantum physics, including a dialogue between science and art.
Who hasn’t flown to another European city on a budget flight and then stayed in an AirBnB? Who has never done “acritical tourism” or “place consumption” for a couple of days? It is not easy to raise the debate about the excess of tourism without falling into contradictions.
Laia Abril has made the problem of illegal abortion universal and contemporary through her artistic project “On Abortion”, which is currently being shown at the Foto Colectania Foundation in Barcelona.
“Reflextions. The Work of Damià Campeny”, at Ca l’Arenas of Mataró, is a show that emphasises the artist’s working method and his context.
Do you think buying art at an auction is easy? Well, you are wrong. Artur Ramon, who is an expert in the field, gives you ten basic tips to, at least, not make a fool of yourself in an auction.
Max Beckmann’s lost paradise was not a Utopia, but a certain desirable and possible harmony, one that was destroyed by imperialist urges.
Mas Miró in Mont-roig del Camp completes the “Miró triangle” – a kind of emotional cartography of the artist.
La Capella is celebrating its 25th anniversary as a space for the promotion of emerging art. And it is doing so in episodes. Here we have the fourth.
Essays, anthologies, guides, anecdotes, graphic novels…2019 has a host of bibliographic novelties on the topic of art. And the day of Sant Jordi is the perfect excuse to buy one (or more) of them. Here are our recommendations.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three art books they would take with them on a desert island. Their answers are surprising.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three books they would take with them on a desert island. Their answers are surprising.
“Absències”, a small retrospective of work by Ramon Guillen-Balmes is on show at the Busquets Space of the Massana School of Art and Design.
The exhibition “Meet Van Gogh” is marketed as an immersive experience – and it is not.
A mysterious artist named Víctor Silva is exhibiting a series of small format painting at the Víctor Saavedra gallery, accompanied by their photographic reproductions in monumental proportions. Why?
When was the last time you stepped inside an art gallery? Can you name, from memory, the names of three art galleries in your town or city? Don’t worry, there is still time to retake the test.
CaboSanRoque is always on the move. Their sound installation No em va fer Joan Brossa, which explores some of the poets least known work from the approach of sound, continues its tour.
…comfortable, resistent, easy to wash. This is how , in the seventies, the new textile fabrics from the Mataró manufacturers were advertised. Mataró was a city specialising in the new textile modes and today exhibits its industrial heritage in the old Can Marfà factory.
Jordi Baron Rubí is an antiques dealer (third generation), collector of antique photos, and fine-art photographer. Each one of these facets feeds in to the other two.
In a society where the vast majority of creators are involved in activities of mediation or education, the lack of weight that humanistic and art subjects carry in regulated education is surprising.
Not many people know that Uri Geller and Salvador Dalí met in Barcelona and kept in touch for quite some time. One painted the first bent spoon and the other bent spoons using the powers of the mind. Paranormal surrealism?
Almost twenty-five years on, and Miralda is returning to Oval Room of the National Art Museum of Catalonia with his giant tapestry.
As often happens with good books and films, the exhibition by Gabriel Cualladó at the Catalunya La Pedrera Foundation stays with you for some time after your visit.
A wide-ranging retrospective at the Fundación Mapfre’s Barcelona gallery highlights the North American photographer’s commitment to freedom, modernity and creativity.
Xavier Vendrell in a Baudelairian chercheur who does not wander around the Paris Spleen but around the Encants flea market in Barcelona.
Only very recently we have discovered the name of a now deceased Capuchin monk who was based in Barcelona and formed part of the considerable list of clerics recently accused of sexual crimes with children.
What connects gimp masks and an abandoned library? The Pink Panther and a blow-up doll? All is revealed in Evaristo Benítez’s exhibition “Décalage”, at Galeria Contrast.
During these last few days we have discovered who the National Culture Awards 2019 will go to. Congratulations to all the prize-winners. And no, this year once again not a single designer among them.
Intersexuals, radicalised people, homosexuals, guerrillas, HIV victims. We can say that thanks to the exhibit “AIDS Anarchive”, organised by the Documentation Centre of the MACBA, the museum is we are filling the gap.
The so-called microvisits to the “Poetics of Emotion” exhibition, which are offered by the CaixaForum every weekend, without the need for reservation and at no additional cost, are a simple and easy way to get closer to contemporary art.
The cultural control of the Spanish and Catalan Communist parties took the baton from the window-dressing politics of Francoism. In the midst of the transition to democracy, the 1976 Venice Biennale bore clear witness to this.
Survival and vulnerability but also courage and freedom. This is the message that all Louise Bourgeois’ work exudes and for me she is one of the best artists of the twentieth century, out of both men and women.
That is how Juan Batlle Planas defines himself in an interview in the newspaper Clarín in 1965, just a couple of years before his death. In the Art Museum of Girona you can see the first exhibition of this artist – Argentinean but with his origins in the Empordà.
A few years ago I was able to visit the Proa Foundation in Buenos Aires. Ai Weiwei was exhibiting. The exhibit was called “Inoculación” and consisted of a large number of political works presented as a project of public and social intervention, as dissident art.
I’m in the grip of a simian rage, and I hope this is obvious from the tone in which this article is written.
The eye of the camera has no compassion: regardless of whether you put in front of it. In the case of “Roi Soleil” Albert Serra once again opts for the agonising body of Louis XIV, embodied by another mythical body –that of Lluís Serrat, alias Sanxini, who he has used in almost all of his projects.
Gamification is just one way of applying new digital technology to the museum and heritage sector.
The figure of Joan Obiols Vié (Granollers, 1918 – Cadaqués, 1980) is multifaceted. This recognised psychiatrist and academic, art collector and cultural activist in times of Francoist restrictions… has not had a complete exhibition dedicated to him until now.
Most of these last four decades of democracy have been spent creating a fake culture, using as a marketing ploy a country which urgently needed to demonstrate that it could hit the spot in terms of European culture.
“In fact, any architectural operation is an imposition, a colonisation which involves violence”. An exhibition at La Virreina reviews the intellectual and critical legacy of the architect Ignasi de Solà-Morales. You won’t be left feeling indifferent.
This interesting study, in exhibition format, addresses emotion though western art. Do we feel the same now as we did five hundred years ago? Is art able to lie and be sincere at the same time?
Estrany-de la Mota has announced that it will close its doors as a commercial gallery.
I think it is unusual, exceptional even, for a movie to approach the wisdom of life through the wisdom of film in the way that “Roma”, by Alfonso Cuarón has.
The 16 Catalan galleries represented at ARCOmadrid, the biggest contemporary art fair in Spain, present their proposals: they are not surprising but they are convincing.
L’Hospitalet is well on the way to becoming one of the nerve centres of Catalan art, but what is the attraction for gallery owners and creators?
The girl strangles the boy with her bare hands and stares into the camera. Her murderous eyes penetrate right through the photographer as her victim’s tongue hangs out of the side of his mouth. All framed by the darkness and shadows of the forest.
Bartolomé Bermejo left an Andalusia that had been conquered by the Castilian troops, to travel to Aragon, where it would seem that the ills blown by the winds were not so bad.
A group exhibition on time brings together philosophy and contemporary art at Can Felipa. With nine artists and a Heideggerian title that says “Waste time and buy a watch to do so!”
“Our simple relationship with technology” is the exhibition organised by Mobile Week Barcelona 2019 as the star event in its parallel cultural programme. This exhibit is a reflection on the digital transformation of our society through 14 works by international artists.
La Infinita, in L’Hospitalet, is a new space of multidisciplinary creation and is the brainchild of Jordi Colomer and his partner, the producer Carolina Olivares.
Many of the old paintings hanging in city apartments have a small gold titleplates with the name of the painter – usually one of the Grand Masters: Murillo, Ribera, Velázquez, Zurbarán.
As a result of the age of its own invention, the motor car cannot have been a theme in art much before the turn of the twentieth century.
The Miró Foundation presents an exhibition of drawing by the Italian-Brazilian Lina Bo Bardi, one of the most important architects of the twentieth century, following the storm which has blown up over the dismissals and the losses of the institution.
“I have been making video installations for some time. They allow me to continue making films in different ways. Because in cinema films there are some things that cannot be done. Either because of the format, or the context, or the audiences, which have become very conservative.”
The AES+F group doesn’t care whether they are labelled as frivolous or kitsch. Their aesthetic is generally considered to be on the verge of bad taste.
One of the most famous paintings by Titian is “Venus and Adonis”, and it enjoyed so much success at the time that many replicas were made of it, with minimal variations. In the work, the artist does not focus on the myth portrayed by Ovid, but is a free version and one which, to this day, we cannot be sure whether it is of his own invention.
When Barcelona had no share in the computer games industry, it suddenly often appeared as the setting for one. Now that it has become the unarguable capital of said industry, the computer games no longer appear. Does anyone know what is going on?
The painter Ramon Casas was the great columnist for one of the most brilliant and convulsive periods of the history of Catalonia. The Gothsland Gallery has put on a magnificent exhibition of his work, which accompanies the presentation of the first volume of the Complete Catalogue of the artist.
The density of techniques, materials and content which can come together in a single work of Josep Guinovart is almost infinite.
Jordi Mitjà, Jon Uriarte and Ingrid Guardiola have taken the fourth episode from Terra-lab.cat –the visual laboratory of the region– to the Museum of the Empordà in Figueres and the Museum of Exile in La Jonquera.
In this world there is a city almost as unreal as The Invisible Cities as described by Italo Calvino. This city is called Angoulême and the streets are Rue Hergé and Rue Goscinny.
The SÂLMON Festival, which is in its seventh year with an extended programme, is always a stimulating event for measuring the pulse of new tendencies in dance, performance arts and contemporary live art.
The walls of the chapel of the Ancient Hospital of Barcelona, La Capella, are oozing with history. Health history, religious history and artistic history.
More unpublished declarations of Anna Maria Dalí about the prolonged conflict that the artist had with his father.
An excerpt from the unpublished diaries of Rafael Santos Torroella reveals, through Anna Maria Dalí, what Salvador Dalí’s reconciliation with his father was like, having been expelled by the family for his relationship with Gala and the surrealist ‘sect’.
To the now classic dilemma of “who do you like best, Mummy or Daddy?” the people of Barcelona have added “which do you prefer, culture or health?”.
Now that the Facebook robot censors have put into practice the implacable and efficient, white and starched, orders of Silicon Valley puritanism, it brings to mind an interesting and strange controversy which took place in Barcelona at the height of the Primo de Rivera dictatorship.
Austrian artist Oliver Ressler presents his first solo exhibition at the gallery àngels barcelona.
The artistic and hereditary fabric of Catalonia is extensive…and thinly spread, too thinly spread. Are the recent staff dismissals at the Joan Miró Foundation and the “strategic change” at the Antoni Tàpies Foundation, warnings of future suspensions?
After the exhibition last year at the Macba “Not here or anywhere”, Domènec returns to show the tensions between utopia and reality in modern architecture.
Philip IV of Spain contracted Diego de Velázquez when the painter was twenty-four years old. He had just arrived in a Madrid that was at the height of Gold Fever.
Dalí rocks! He invented soft watches, the paranoiac-critic method, the museum as a theatre of experience and, even after his death, the exhibition in two acts.
All antiquarians who dedicate out noble profession to antique paintings have dreamed of finding a Caravaggio.
At a time when it is so difficult to see good painting exhibitions in our country, the exhibition by Chancho at Ana Mas Projects is a breath of fresh air.
Sergio Mora is able to express himself with as much freshness in a painting exhibition, an illustrated book either for adults or for all readers, a bizarre comic, an album cover or a subjective and non-neutral design for fashion or interiors. The book “Moraland” brings together a collection of his work.
This institution, one of the most prestigious in Barcelona, has presented its programme for 2019. And I have to say it has been something of a surprise…
The Umbral project in the Barcelona metro: thirteen suburban artistic works on migration and its political, social and symbolic contradictions.
As the twentieth century progressed, the portrait became increasingly sidelined when not directly condemned.
Recently there has been some controversy about the portrait of the King of Spain by the portrait painter Hernán Cortés Moreno, specialist in this type of work.
Political art has a very bad press, when what should really have a bad name is art which says nothing.
“Sobrecàrregues” is an initiative of the Assembly of Artists of La Garrotxa. Every month the Assembly invites an artist to hand on the façade of Olot Town Hall a life-sized interpretation of “The Charge” (1902) – the best-known work by Ramon Casas.
A decade after his decease, it is clearer than ever that the highly prolific work of Guinovart need to be reviewed.
The Cultural Centre of Terrassa hosts a sober and well-selected show of engravings by Rembrandt from the Furió collection.
An exhibition at the Fundació Tharrats d’Art Gràfic commemorates the centenary of the birth of this artist from Girona and explores his multiple creative sides.
CosmoCaixa invites us to an exhibition that links Hergé’s comic “Mission to the Moon” (1950) with the Apollo 11 mission (1969).
Jordi Abelló’s research to find new formats and places to share his pictorial and audiovisual creation leaves no stone unturned.
Having the Pocket Art Connoisseur is like keeping the most rigorous art critic in your pocket.