The exhibition “Realism(s) in Catalonia 1917-1936” explores how some artists opted for a renovation of their artistic language without renouncing figuration.
”la Caixa” exhibits its collection of contemporary paintings.
Prince once said that with all the unpublished material in his mythical musical and visual ‘vault’ he could make an album a year for a century.
This exhibition, which has been organised using the collection of foundation, looks at the aesthetic and creative affinities of Gaudí and Miró as seen through the Joaquim Gomis.
The Espais Volart of the Vila Casas Foundation is showing “Please don’t smile”, by the photographer Frank Horvat who, having worked relentlessly during his professional life, now offers a collection of photographs taken in the field of fashion in the 1950s, 60s and 70s.
The anthological exhibition by Valencian Josep Renau (1907-1982) – poster-maker for the revolution – arrives in Barcelona. Introducing the international avant-gardes to Spain in the 1920s and 30s and a reference for the Catalan left in the 1970s, his criticism of American society is alarmingly modern.
Gino Rubert’s new exhibition at Galería Senda succeeds in transmitting an exceptional sensation of freedom.
You can never really read the work of Salvador Dalí without knowing the literary legacy of Carles Fages de Climent. This is shown by Dalí expert Josep Playà in his book, “Fages Dalí, geniuses and friends”.
“Vallès: manufacturing pasts, manufacturing futures” is a project in which Claudio Zulian uses the memory of the working class of the county of Vallès – an area historically and politically affiliated to the so-called “red belt” of Barcelona.
This show in the Barcelona museum reinterprets the different facets of the artist from the point of view of ten contemporary creators. The political Picasso, the passionate Picasso and the intellectual Picasso, all covered in the story which unfolds under the curatorship of Rosa Martinez.
When you visit the Lluís Hortalà exhibition at Tecla Sala in L’Hospitalet you have to be ready for a double set of rules: those of the eye, subjected to the logical trickery of trompe-l’oeil, and those of the concept, articulated in the solid story about the exhibition by Oriol Fontdevila. But one step at a time.
Learoyd’s photographs are made in a very original way. It is not that he has a camera in his studio but his camera is a room in his studio.
The MNAC, being the national museum that it is, had the job of rescuing the wok of Antoni Fabrés – a versatile and effective artist who moved on from the academic and Orientalist approach of his early works.
Entitled “Cerrar abriendo” (Close by opening), the sixth scene of “La Capella 25 Years After”, an exhibition in instalments which has told the story of this centre dedicated to emerging art since the month of January, through the artists that have exhibited there.
Did you know that the refillable plastic Clipper lighter, which is sold all over the world, was designed by Enric Sardà in the early 1970s? Or that the cuddly Tous teddy bear was created by Rosa Maria Oriol in 1985 with no intention of it becoming a jewellery icon?
The August Sander retrospective at La Virreina is exceptional in its rigorous respect for the original structure of the major project the photographer worked on during the early 1900s: People of the 20th Century.
Anyone who enters the exhibition Cinc anys a les trinxeres (Five years in the trenches) by Jesús Galdón, kind of phylacterical mirror hanging on the wall, is immediately reflected in the doorway of the El Quadern Robat gallery.
Just when the United States once again demonstrate their untamed meddling in the internal affairs of South America and when Pedro Sánchez recognises and legitimates a self-proclaimed president in Venezuela, Macba is opening the necessary and timely exhibition Undefined territories. Perspectives on colonial legacies.
This walk through the magnificent and sadly posthumous exhibition by Jordi Fulla at Can Framis is a silent one. It couldn’t be any other way.
Global cities, futuristic dystopias and universal figures of the literary and linguistic imaginary all come together in La Capella in a group show with ten heterogeneous proposals around the idea of layers or of accumulated time.
Pedro Azara’s project for the Catalonia Pavilion at the Venice Biennale confronts the viewer with their own emotional weakness with a series of visceral reactions of love and hate provoked by the images.
Fourteen works on paper are exhibited at N2 gallery by eleven outstanding artists, united by their “aesthetic tendencies broken by war, interior exile, different attempts to preserve their creative freedom and the dawning following the start of democracy”.
What is it about turn of the century photographs that means we always love them? Three exhibitions revisit the collection of Valentí Fargnoli, he son of Italians settled in Girona who left valuable ethnographic work and heritage photography.
The ambitious exhibition “Quantum” which is showing at the CCCB attempts to explain the theory of quantum physics, including a dialogue between science and art.
Who hasn’t flown to another European city on a budget flight and then stayed in an AirBnB? Who has never done “acritical tourism” or “place consumption” for a couple of days? It is not easy to raise the debate about the excess of tourism without falling into contradictions.
Laia Abril has made the problem of illegal abortion universal and contemporary through her artistic project “On Abortion”, which is currently being shown at the Foto Colectania Foundation in Barcelona.
“Reflextions. The Work of Damià Campeny”, at Ca l’Arenas of Mataró, is a show that emphasises the artist’s working method and his context.
Max Beckmann’s lost paradise was not a Utopia, but a certain desirable and possible harmony, one that was destroyed by imperialist urges.
La Capella is celebrating its 25th anniversary as a space for the promotion of emerging art. And it is doing so in episodes. Here we have the fourth.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three art books they would take with them on a desert island. Their answers are surprising.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three books they would take with them on a desert island. Their answers are surprising.
“Absències”, a small retrospective of work by Ramon Guillen-Balmes is on show at the Busquets Space of the Massana School of Art and Design.
The exhibition “Meet Van Gogh” is marketed as an immersive experience – and it is not.
A mysterious artist named Víctor Silva is exhibiting a series of small format painting at the Víctor Saavedra gallery, accompanied by their photographic reproductions in monumental proportions. Why?
CaboSanRoque is always on the move. Their sound installation No em va fer Joan Brossa, which explores some of the poets least known work from the approach of sound, continues its tour.
…comfortable, resistent, easy to wash. This is how , in the seventies, the new textile fabrics from the Mataró manufacturers were advertised. Mataró was a city specialising in the new textile modes and today exhibits its industrial heritage in the old Can Marfà factory.
As often happens with good books and films, the exhibition by Gabriel Cualladó at the Catalunya La Pedrera Foundation stays with you for some time after your visit.
A wide-ranging retrospective at the Fundación Mapfre’s Barcelona gallery highlights the North American photographer’s commitment to freedom, modernity and creativity.
What connects gimp masks and an abandoned library? The Pink Panther and a blow-up doll? All is revealed in Evaristo Benítez’s exhibition “Décalage”, at Galeria Contrast.
Intersexuals, radicalised people, homosexuals, guerrillas, HIV victims. We can say that thanks to the exhibit “AIDS Anarchive”, organised by the Documentation Centre of the MACBA, the museum is we are filling the gap.
Survival and vulnerability but also courage and freedom. This is the message that all Louise Bourgeois’ work exudes and for me she is one of the best artists of the twentieth century, out of both men and women.
That is how Juan Batlle Planas defines himself in an interview in the newspaper Clarín in 1965, just a couple of years before his death. In the Art Museum of Girona you can see the first exhibition of this artist – Argentinean but with his origins in the Empordà.
The eye of the camera has no compassion: regardless of whether you put in front of it. In the case of “Roi Soleil” Albert Serra once again opts for the agonising body of Louis XIV, embodied by another mythical body –that of Lluís Serrat, alias Sanxini, who he has used in almost all of his projects.
The figure of Joan Obiols Vié (Granollers, 1918 – Cadaqués, 1980) is multifaceted. This recognised psychiatrist and academic, art collector and cultural activist in times of Francoist restrictions… has not had a complete exhibition dedicated to him until now.
“In fact, any architectural operation is an imposition, a colonisation which involves violence”. An exhibition at La Virreina reviews the intellectual and critical legacy of the architect Ignasi de Solà-Morales. You won’t be left feeling indifferent.
This interesting study, in exhibition format, addresses emotion though western art. Do we feel the same now as we did five hundred years ago? Is art able to lie and be sincere at the same time?
Estrany-de la Mota has announced that it will close its doors as a commercial gallery.
I think it is unusual, exceptional even, for a movie to approach the wisdom of life through the wisdom of film in the way that “Roma”, by Alfonso Cuarón has.
Bartolomé Bermejo left an Andalusia that had been conquered by the Castilian troops, to travel to Aragon, where it would seem that the ills blown by the winds were not so bad.
A group exhibition on time brings together philosophy and contemporary art at Can Felipa. With nine artists and a Heideggerian title that says “Waste time and buy a watch to do so!”
“Our simple relationship with technology” is the exhibition organised by Mobile Week Barcelona 2019 as the star event in its parallel cultural programme. This exhibit is a reflection on the digital transformation of our society through 14 works by international artists.
The Miró Foundation presents an exhibition of drawing by the Italian-Brazilian Lina Bo Bardi, one of the most important architects of the twentieth century, following the storm which has blown up over the dismissals and the losses of the institution.
“I have been making video installations for some time. They allow me to continue making films in different ways. Because in cinema films there are some things that cannot be done. Either because of the format, or the context, or the audiences, which have become very conservative.”
The AES+F group doesn’t care whether they are labelled as frivolous or kitsch. Their aesthetic is generally considered to be on the verge of bad taste.
One of the most famous paintings by Titian is “Venus and Adonis”, and it enjoyed so much success at the time that many replicas were made of it, with minimal variations. In the work, the artist does not focus on the myth portrayed by Ovid, but is a free version and one which, to this day, we cannot be sure whether it is of his own invention.
The painter Ramon Casas was the great columnist for one of the most brilliant and convulsive periods of the history of Catalonia. The Gothsland Gallery has put on a magnificent exhibition of his work, which accompanies the presentation of the first volume of the Complete Catalogue of the artist.
The density of techniques, materials and content which can come together in a single work of Josep Guinovart is almost infinite.
Jordi Mitjà, Jon Uriarte and Ingrid Guardiola have taken the fourth episode from Terra-lab.cat –the visual laboratory of the region– to the Museum of the Empordà in Figueres and the Museum of Exile in La Jonquera.
The SÂLMON Festival, which is in its seventh year with an extended programme, is always a stimulating event for measuring the pulse of new tendencies in dance, performance arts and contemporary live art.
The walls of the chapel of the Ancient Hospital of Barcelona, La Capella, are oozing with history. Health history, religious history and artistic history.
Austrian artist Oliver Ressler presents his first solo exhibition at the gallery àngels barcelona.
After the exhibition last year at the Macba “Not here or anywhere”, Domènec returns to show the tensions between utopia and reality in modern architecture.
Philip IV of Spain contracted Diego de Velázquez when the painter was twenty-four years old. He had just arrived in a Madrid that was at the height of Gold Fever.
Dalí rocks! He invented soft watches, the paranoiac-critic method, the museum as a theatre of experience and, even after his death, the exhibition in two acts.
At a time when it is so difficult to see good painting exhibitions in our country, the exhibition by Chancho at Ana Mas Projects is a breath of fresh air.
Sergio Mora is able to express himself with as much freshness in a painting exhibition, an illustrated book either for adults or for all readers, a bizarre comic, an album cover or a subjective and non-neutral design for fashion or interiors. The book “Moraland” brings together a collection of his work.
The Umbral project in the Barcelona metro: thirteen suburban artistic works on migration and its political, social and symbolic contradictions.
A decade after his decease, it is clearer than ever that the highly prolific work of Guinovart need to be reviewed.
An exhibition at the Fundació Tharrats d’Art Gràfic commemorates the centenary of the birth of this artist from Girona and explores his multiple creative sides.
CosmoCaixa invites us to an exhibition that links Hergé’s comic “Mission to the Moon” (1950) with the Apollo 11 mission (1969).
The Mayoral Gallery exhibits a joint show of the best pieces of Spanish Informalism.
The MNAC has just opened two new halls dedicated to Catalan art from 1940 to 1980.
In the work of this Chilean-born German artist it does not occur to us that she has no arms or whether she is a man, a woman or a transgender person.
Concha Martínez Barreto is interested in showing the mechanisms of the construction of memory.
DelicARTessen is a great occasion for those who want to see a significant part of current art being made in Barcelona.
At a moment in humanity when time has never been so difficult to find and keep, Polish artist Alicja Kwade (1979) invites us to pass through, listen to and observe space-time.
The work of Charlotte Salomon contains the legend of this woman artist discovered long after her death.
An exhibition in the Art Museum of Girona brings us the visual and written work of this Polish artist who made her mark on Girona at the beginning of the twentieth century.
Raphael’s “Madonna of the Rose” leaves the Prado Museum to visit the Teatre-Museu Dalí, and make the dream of the genius from the Empordà come true.
Foto Colectania proposes the topic of identity through photography, delving into the extraordinary Walther Collection.
Jaume Sabartés, at certain times proved to be a solid part of Picasso’s daily life.
Josep Berga i Boada is revealed as one of the most interesting Catalan creators of the turn of the twentieth century.
“Picasso – Picabia. Painting in question” is one of the best artistic exhibits this year.
Beyond violence, war and politics, there are people who suffer, lives destroyed and incurable traumas. Turkish artist Erkan Özgen give a voice to these silenced stories.
In Catalonia, at the height of Francoism, one group of artists was in a hurry to turn the rules upside down and work across disciplines.
In 1951 Isaac, Ana Maria, Ismael and Paco Smith Marí packed up the contents of their luxury mansion in Irvington, on the banks of the Hudson, and a favourite place of residence for the most accomplished New Yorkers.
Lee Miller was no “femme fatale”, she was a “femme différente”.
An alternative reading of the exhibition “The Splendour of Catalan Castles” at the Museum of Archaeology of Catalonia.
From time to time the Vila Casas Foundation has little great successes despite the fact that they often become fogged by an excess of eclecticism and exhibitional hyperactivity.
It is very difficult to resist the charm of the cabinets of curiosities.
If there was ever an exhibition that we could say “has many different readings”, without falling into either clichés or exaggeration, it has to be “Lee Miller and Surrealism in Britain”, which is currently on at the Miró Foundation in Barcelona.
If Pablo Picasso had died in 1904, before moving permanently to France, he would still be in all the history of art textbooks in the world. The proof is the exhibition Picasso bleu & rose, at the Musée d’Orsay in Paris.
An exhibition has just opened at the CaixaForum Barcelona with a misleading title, but one which is nonetheless worth seeing. If only to be the witnesses to one of the most important revolution in cultural history.
Since the Barcelona Museum of Contemporary Art (MACBA) finally opened its doors to the public in November 1995, there have been 34 presentations of its collection.
Brazilian artist José de Souza Oliveira Filho, better known as Macaparana, exhibits for the first time in our country. A distinguished artist whose work makes constant refences to the “Paulista” geometry of São Paulo: a reference to the geometrical abstraction of the Russian constructivists.
Dalí grumbled in front of a work by Alexander Calder: “if there is one thing you can ask of a sculpture, it is that it shouldn’t move”.
Two exhibitions celebrate the new opera season at the Gran Teatre del Liceu.
Vicenç Viaplana exhibits a visual symphony at the Galería Marc Domènech with indirect allusions to the economic disaster of 2008.
An exhibition at the Virreina which takes us through the aesthetic revolution of Catalan photography in the 1970s.
The photographer Saul Leiter was a pioneer in the conscious and deliberate use of colour as an element of expression. An exhibition and a book have come out in the same year in Barcelona.