“I have been making video installations for some time. They allow me to continue making films in different ways. Because in cinema films there are some things that cannot be done. Either because of the format, or the context, or the audiences, which have become very conservative.”
The AES+F group doesn’t care whether they are labelled as frivolous or kitsch. Their aesthetic is generally considered to be on the verge of bad taste.
One of the most famous paintings by Titian is “Venus and Adonis”, and it enjoyed so much success at the time that many replicas were made of it, with minimal variations. In the work, the artist does not focus on the myth portrayed by Ovid, but is a free version and one which, to this day, we cannot be sure whether it is of his own invention.
The painter Ramon Casas was the great columnist for one of the most brilliant and convulsive periods of the history of Catalonia. The Gothsland Gallery has put on a magnificent exhibition of his work, which accompanies the presentation of the first volume of the Complete Catalogue of the artist.
The density of techniques, materials and content which can come together in a single work of Josep Guinovart is almost infinite.
Jordi Mitjà, Jon Uriarte and Ingrid Guardiola have taken the fourth episode from Terra-lab.cat –the visual laboratory of the region– to the Museum of the Empordà in Figueres and the Museum of Exile in La Jonquera.
The SÂLMON Festival, which is in its seventh year with an extended programme, is always a stimulating event for measuring the pulse of new tendencies in dance, performance arts and contemporary live art.
The walls of the chapel of the Ancient Hospital of Barcelona, La Capella, are oozing with history. Health history, religious history and artistic history.
Austrian artist Oliver Ressler presents his first solo exhibition at the gallery àngels barcelona.
After the exhibition last year at the Macba “Not here or anywhere”, Domènec returns to show the tensions between utopia and reality in modern architecture.
Philip IV of Spain contracted Diego de Velázquez when the painter was twenty-four years old. He had just arrived in a Madrid that was at the height of Gold Fever.
Dalí rocks! He invented soft watches, the paranoiac-critic method, the museum as a theatre of experience and, even after his death, the exhibition in two acts.
At a time when it is so difficult to see good painting exhibitions in our country, the exhibition by Chancho at Ana Mas Projects is a breath of fresh air.
Sergio Mora is able to express himself with as much freshness in a painting exhibition, an illustrated book either for adults or for all readers, a bizarre comic, an album cover or a subjective and non-neutral design for fashion or interiors. The book “Moraland” brings together a collection of his work.
The Umbral project in the Barcelona metro: thirteen suburban artistic works on migration and its political, social and symbolic contradictions.
A decade after his decease, it is clearer than ever that the highly prolific work of Guinovart need to be reviewed.
An exhibition at the Fundació Tharrats d’Art Gràfic commemorates the centenary of the birth of this artist from Girona and explores his multiple creative sides.
CosmoCaixa invites us to an exhibition that links Hergé’s comic “Mission to the Moon” (1950) with the Apollo 11 mission (1969).
The Mayoral Gallery exhibits a joint show of the best pieces of Spanish Informalism.
The MNAC has just opened two new halls dedicated to Catalan art from 1940 to 1980.
In the work of this Chilean-born German artist it does not occur to us that she has no arms or whether she is a man, a woman or a transgender person.
Concha Martínez Barreto is interested in showing the mechanisms of the construction of memory.
DelicARTessen is a great occasion for those who want to see a significant part of current art being made in Barcelona.
At a moment in humanity when time has never been so difficult to find and keep, Polish artist Alicja Kwade (1979) invites us to pass through, listen to and observe space-time.