Woody Allen’s autobiography grabs his readers from page one, thanks to his poignant sense of humor and wild confessional frankness.
The exhibition “Camera and City. Urban Life in Photography and Film” at the CaixaForum Barcelona brings together 244 pieces by 80 photographers and filmmakers, made between 1910 and 2010. Together they form a kind of visual essay or reflection through still and moving images.
Gino Rubert’s new exhibition at Galería Senda succeeds in transmitting an exceptional sensation of freedom.
The August Sander retrospective at La Virreina is exceptional in its rigorous respect for the original structure of the major project the photographer worked on during the early 1900s: People of the 20th Century.
Max Beckmann’s lost paradise was not a Utopia, but a certain desirable and possible harmony, one that was destroyed by imperialist urges.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three art books they would take with them on a desert island. Their answers are surprising.
A wide-ranging retrospective at the Fundación Mapfre’s Barcelona gallery highlights the North American photographer’s commitment to freedom, modernity and creativity.
I think it is unusual, exceptional even, for a movie to approach the wisdom of life through the wisdom of film in the way that “Roma”, by Alfonso Cuarón has.
In this world there is a city almost as unreal as The Invisible Cities as described by Italo Calvino. This city is called Angoulême and the streets are Rue Hergé and Rue Goscinny.
Sergio Mora is able to express himself with as much freshness in a painting exhibition, an illustrated book either for adults or for all readers, a bizarre comic, an album cover or a subjective and non-neutral design for fashion or interiors. The book “Moraland” brings together a collection of his work.
DelicARTessen is a great occasion for those who want to see a significant part of current art being made in Barcelona.
The ghost of the butter scene haunts Bertolucci even in death.
The first characteristic to define Stanley Kubrick and his movies is his extremely high and exceptional ambition.