The exhibition “Realism(s) in Catalonia 1917-1936” explores how some artists opted for a renovation of their artistic language without renouncing figuration.
Prince once said that with all the unpublished material in his mythical musical and visual ‘vault’ he could make an album a year for a century.
This exhibition, which has been organised using the collection of foundation, looks at the aesthetic and creative affinities of Gaudí and Miró as seen through the Joaquim Gomis.
“Vallès: manufacturing pasts, manufacturing futures” is a project in which Claudio Zulian uses the memory of the working class of the county of Vallès – an area historically and politically affiliated to the so-called “red belt” of Barcelona.
The MNAC, being the national museum that it is, had the job of rescuing the wok of Antoni Fabrés – a versatile and effective artist who moved on from the academic and Orientalist approach of his early works.
Did you know that the refillable plastic Clipper lighter, which is sold all over the world, was designed by Enric Sardà in the early 1970s? Or that the cuddly Tous teddy bear was created by Rosa Maria Oriol in 1985 with no intention of it becoming a jewellery icon?
Anyone who enters the exhibition Cinc anys a les trinxeres (Five years in the trenches) by Jesús Galdón, kind of phylacterical mirror hanging on the wall, is immediately reflected in the doorway of the El Quadern Robat gallery.
This walk through the magnificent and sadly posthumous exhibition by Jordi Fulla at Can Framis is a silent one. It couldn’t be any other way.
Fourteen works on paper are exhibited at N2 gallery by eleven outstanding artists, united by their “aesthetic tendencies broken by war, interior exile, different attempts to preserve their creative freedom and the dawning following the start of democracy”.
The ambitious exhibition “Quantum” which is showing at the CCCB attempts to explain the theory of quantum physics, including a dialogue between science and art.
Laia Abril has made the problem of illegal abortion universal and contemporary through her artistic project “On Abortion”, which is currently being shown at the Foto Colectania Foundation in Barcelona.
La Capella is celebrating its 25th anniversary as a space for the promotion of emerging art. And it is doing so in episodes. Here we have the fourth.
In anticipation of the Day of the book for Sant Jordi, we asked our “Mirador de les Arts” contributors which three books they would take with them on a desert island. Their answers are surprising.
The exhibition “Meet Van Gogh” is marketed as an immersive experience – and it is not.
As often happens with good books and films, the exhibition by Gabriel Cualladó at the Catalunya La Pedrera Foundation stays with you for some time after your visit.
The so-called microvisits to the “Poetics of Emotion” exhibition, which are offered by the CaixaForum every weekend, without the need for reservation and at no additional cost, are a simple and easy way to get closer to contemporary art.
Survival and vulnerability but also courage and freedom. This is the message that all Louise Bourgeois’ work exudes and for me she is one of the best artists of the twentieth century, out of both men and women.
Gamification is just one way of applying new digital technology to the museum and heritage sector.
La Infinita, in L’Hospitalet, is a new space of multidisciplinary creation and is the brainchild of Jordi Colomer and his partner, the producer Carolina Olivares.
The AES+F group doesn’t care whether they are labelled as frivolous or kitsch. Their aesthetic is generally considered to be on the verge of bad taste.