The adventure of “Mirador de les Arts” began in October 2018. Now we have to say goodbye.
The ”La Caixa” Foundation takes us through the life and work of the genius composer in nine videos.
The ”la Caixa” Foundation offers an online dramatized concert through the biography of the Ludwig van Beethoven on the occasion of the 250th anniversary of his birth.
The contemporary art of the Suñol Foundation meets the permanent collections of the National Art Museum of Catalonia (MNAC) in a risky experiment entitled “Intrusive Dialogues”.
The ”la Caixa” Foundation has launched for the first time a digital participatory activity to the sound of the ‘Viva la Vida’ theme, by Coldplay, and has reached a record number of participants, with more than 640 people.
The art of Bill Viola (Nova York, 1951) has got a hypnotic quality so intense that it fascinates and annoys in equal measure: the same is true for the mystical and spiritual substrata of his work.
In Solsona the paintings of Sant Quirze de Pedret are the star pieces of the museum situated inside the impressive Neoclassical building of the Episcopal Palace, next to the cathedral.
Did you know that Frederic Marès is the sculptor with the greatest presence in the public space in Barcelona? Plaça Catalunya, Diagonal and even inside Santa Maria del Mar and the Palace of the Catalan Government, for example.
The exhibition “Realism(s) in Catalonia 1917-1936” explores how some artists opted for a renovation of their artistic language without renouncing figuration.
Prince once said that with all the unpublished material in his mythical musical and visual ‘vault’ he could make an album a year for a century.
This exhibition, which has been organised using the collection of foundation, looks at the aesthetic and creative affinities of Gaudí and Miró as seen through the Joaquim Gomis.
“Vallès: manufacturing pasts, manufacturing futures” is a project in which Claudio Zulian uses the memory of the working class of the county of Vallès – an area historically and politically affiliated to the so-called “red belt” of Barcelona.
The MNAC, being the national museum that it is, had the job of rescuing the wok of Antoni Fabrés – a versatile and effective artist who moved on from the academic and Orientalist approach of his early works.
Did you know that the refillable plastic Clipper lighter, which is sold all over the world, was designed by Enric Sardà in the early 1970s? Or that the cuddly Tous teddy bear was created by Rosa Maria Oriol in 1985 with no intention of it becoming a jewellery icon?
Anyone who enters the exhibition Cinc anys a les trinxeres (Five years in the trenches) by Jesús Galdón, kind of phylacterical mirror hanging on the wall, is immediately reflected in the doorway of the El Quadern Robat gallery.
This walk through the magnificent and sadly posthumous exhibition by Jordi Fulla at Can Framis is a silent one. It couldn’t be any other way.
Fourteen works on paper are exhibited at N2 gallery by eleven outstanding artists, united by their “aesthetic tendencies broken by war, interior exile, different attempts to preserve their creative freedom and the dawning following the start of democracy”.
The ambitious exhibition “Quantum” which is showing at the CCCB attempts to explain the theory of quantum physics, including a dialogue between science and art.
Laia Abril has made the problem of illegal abortion universal and contemporary through her artistic project “On Abortion”, which is currently being shown at the Foto Colectania Foundation in Barcelona.
La Capella is celebrating its 25th anniversary as a space for the promotion of emerging art. And it is doing so in episodes. Here we have the fourth.