The exhibition “Objects of Desire. Surrealism and Design, 1924-2020”, at CaixaForum Barcelona, tells us how the design of objects has borrowed influences, ideas, delusions and obsessions from surrealism.
A car runs at high speed through the Alps. The travelers want to get home as soon as possible to enjoy one of the masterpieces Salvador Dalí’s youth phase. However, the painting will not reach its final destination in its best conditions.
As part of the events for the centenary year of his death, the Museum of Art of Girona presents Modest Urgell (Barcelona, 1839-1919), with all his complexity and contradictions.
Not many people know that Uri Geller and Salvador Dalí met in Barcelona and kept in touch for quite some time. One painted the first bent spoon and the other bent spoons using the powers of the mind. Paranormal surrealism?
More unpublished declarations of Anna Maria Dalí about the prolonged conflict that the artist had with his father.
An excerpt from the unpublished diaries of Rafael Santos Torroella reveals, through Anna Maria Dalí, what Salvador Dalí’s reconciliation with his father was like, having been expelled by the family for his relationship with Gala and the surrealist ‘sect’.
Dalí rocks! He invented soft watches, the paranoiac-critic method, the museum as a theatre of experience and, even after his death, the exhibition in two acts.
As the twentieth century progressed, the portrait became increasingly sidelined when not directly condemned.
Raphael’s “Madonna of the Rose” leaves the Prado Museum to visit the Teatre-Museu Dalí, and make the dream of the genius from the Empordà come true.
Dalí grumbled in front of a work by Alexander Calder: “if there is one thing you can ask of a sculpture, it is that it shouldn’t move”.
Blai Matons (Barcelona, 1934) worked as a chauffeur. From 1969 to 1977 he drove Salvador Dalí and his wife Gala in his Class E Mercedes.
The city of Valls made a gift of its emblematic eagle to Gala Dalí. Why? Well, the clue is that in the world of Dalí, nothing is as it seems…