That is how Juan Batlle Planas defines himself in an interview in the newspaper Clarín in 1965, just a couple of years before his death. In the Art Museum of Girona you can see the first exhibition of this artist – Argentinean but with his origins in the Empordà.
A few years ago I was able to visit the Proa Foundation in Buenos Aires. Ai Weiwei was exhibiting. The exhibit was called “Inoculación” and consisted of a large number of political works presented as a project of public and social intervention, as dissident art.
I’m in the grip of a simian rage, and I hope this is obvious from the tone in which this article is written.
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To the now classic dilemma of “who do you like best, Mummy or Daddy?” the people of Barcelona have added “which do you prefer, culture or health?”.
CosmoCaixa invites us to an exhibition that links Hergé’s comic “Mission to the Moon” (1950) with the Apollo 11 mission (1969).
The eye of the camera has no compassion: regardless of whether you put in front of it. In the case of “Roi Soleil” Albert Serra once again opts for the agonising body of Louis XIV, embodied by another mythical body –that of Lluís Serrat, alias Sanxini, who he has used in almost all of his projects.
Gamification is just one way of applying new digital technology to the museum and heritage sector.
The figure of Joan Obiols Vié (Granollers, 1918 – Cadaqués, 1980) is multifaceted. This recognised psychiatrist and academic, art collector and cultural activist in times of Francoist restrictions… has not had a complete exhibition dedicated to him until now.
Most of these last four decades of democracy have been spent creating a fake culture, using as a marketing ploy a country which urgently needed to demonstrate that it could hit the spot in terms of European culture.
“In fact, any architectural operation is an imposition, a colonisation which involves violence”. An exhibition at La Virreina reviews the intellectual and critical legacy of the architect Ignasi de Solà-Morales. You won’t be left feeling indifferent.
This interesting study, in exhibition format, addresses emotion though western art. Do we feel the same now as we did five hundred years ago? Is art able to lie and be sincere at the same time?
Estrany-de la Mota has announced that it will close its doors as a commercial gallery.
I think it is unusual, exceptional even, for a movie to approach the wisdom of life through the wisdom of film in the way that “Roma”, by Alfonso Cuarón has.
The 16 Catalan galleries represented at ARCOmadrid, the biggest contemporary art fair in Spain, present their proposals: they are not surprising but they are convincing.
L’Hospitalet is well on the way to becoming one of the nerve centres of Catalan art, but what is the attraction for gallery owners and creators?
The girl strangles the boy with her bare hands and stares into the camera. Her murderous eyes penetrate right through the photographer as her victim’s tongue hangs out of the side of his mouth. All framed by the darkness and shadows of the forest.
Bartolomé Bermejo left an Andalusia that had been conquered by the Castilian troops, to travel to Aragon, where it would seem that the ills blown by the winds were not so bad.
A group exhibition on time brings together philosophy and contemporary art at Can Felipa. With nine artists and a Heideggerian title that says “Waste time and buy a watch to do so!”
“Our simple relationship with technology” is the exhibition organised by Mobile Week Barcelona 2019 as the star event in its parallel cultural programme. This exhibit is a reflection on the digital transformation of our society through 14 works by international artists.
La Infinita, in L’Hospitalet, is a new space of multidisciplinary creation and is the brainchild of Jordi Colomer and his partner, the producer Carolina Olivares.
Many of the old paintings hanging in city apartments have a small gold titleplates with the name of the painter – usually one of the Grand Masters: Murillo, Ribera, Velázquez, Zurbarán.
As a result of the age of its own invention, the motor car cannot have been a theme in art much before the turn of the twentieth century.
The Miró Foundation presents an exhibition of drawing by the Italian-Brazilian Lina Bo Bardi, one of the most important architects of the twentieth century, following the storm which has blown up over the dismissals and the losses of the institution.