The Art Museum of Cerdanyola (MAC) is celebrating its tenth anniversary and the declaration of the “Dames de Cerdanyola” stained glass panels as Items of national Cultural Interest. This is a great occasion to discover its treasures.
The Marès Museum in Barcelona has organised a literary walk through the “sentimental museum” – a route through its collections via the Catalan literature of the late nineteenth and early twentieth centuries.
Manresa County Museum will be completely renovated in 2022 to make it a reference for works of Catalan Baroque art. Meanwhile there are two small exhibitions that are worth a visit.
Don’t miss it!
He’s an international photographer with an impeccable reputation, and I’ve asked him a favour, as a friend: to accompany me to the World Press Photo Exhibition (WPPh). I’m interested in his personal vision of the tragedy. Because the WPPh is one big tragedy: in the photos almost no one is smiling.
Essays, anthologies, guides, anecdotes, graphic novels…2019 has a host of bibliographic novelties on the topic of art. And the day of Sant Jordi is the perfect excuse to buy one (or more) of them. Here are our recommendations.
The Episcopal Museum of Vic (MEV) holds an extraordinary collection of Romanic and Gothic art. But it has something even better: its sensitivity to teaching about the collection. When a museum does not know how to talk about its works, it should probably close.
The Víctor Balaguer Library and Museum shows its extraordinary collection of works from the Prado Museum in Madrid on the occasion of the bicentenary of the Prado.
The city of Valls has 24,000 inhabitants. Its museum, 2,000 works, which make up an interesting selection of the last 150 years of Catalan art.
December Quintet puts jazz on “The pale face” (1922) by Buster Keaton, at CaixaForum Barcelona. This is the fun sessions “Listen to the silent movies”, aimed at the family audience.
The Abelló Museum in Mollet del Vallès is one of the artistic treasures that you have to rediscover from time to time.
Did you know that Frederic Marès is the sculptor with the greatest presence in the public space in Barcelona? Plaça Catalunya, Diagonal and even inside Santa Maria del Mar and the Palace of the Catalan Government, for example.
The exhibition “Realism(s) in Catalonia 1917-1936” explores how some artists opted for a renovation of their artistic language without renouncing figuration.
”la Caixa” exhibits its collection of contemporary paintings.
Prince once said that with all the unpublished material in his mythical musical and visual ‘vault’ he could make an album a year for a century.
Dominique Lambert is twenty years old and lives in Paris. His mother, Isabelle, is a well-known psychiatrist and his father, Christophe an antique dealer or cronopio.
This exhibition, which has been organised using the collection of foundation, looks at the aesthetic and creative affinities of Gaudí and Miró as seen through the Joaquim Gomis.
The Espais Volart of the Vila Casas Foundation is showing “Please don’t smile”, by the photographer Frank Horvat who, having worked relentlessly during his professional life, now offers a collection of photographs taken in the field of fashion in the 1950s, 60s and 70s.
The anthological exhibition by Valencian Josep Renau (1907-1982) – poster-maker for the revolution – arrives in Barcelona. Introducing the international avant-gardes to Spain in the 1920s and 30s and a reference for the Catalan left in the 1970s, his criticism of American society is alarmingly modern.
On 27 June Soler y Llach will put up for auction some incredible posters from the Josep Torné collection. These are masterpieces in the world of postermaking by artists as big as Josep Renau, Ricard Opisso, Capiello, Cassandre, A. de Riquer, Ramon Casas and Segrelles.
Gino Rubert’s new exhibition at Galería Senda succeeds in transmitting an exceptional sensation of freedom.
You can never really read the work of Salvador Dalí without knowing the literary legacy of Carles Fages de Climent. This is shown by Dalí expert Josep Playà in his book, “Fages Dalí, geniuses and friends”.
When we talk of culture some people think that we are treading the terrain of the utopian or, even worse, the luxurious and dispensable. Opposing ideologies resign culture, in an opposing but similar way, to private initiative.
“Vallès: manufacturing pasts, manufacturing futures” is a project in which Claudio Zulian uses the memory of the working class of the county of Vallès – an area historically and politically affiliated to the so-called “red belt” of Barcelona.